John-Philippe Smith, Creative Arts and Design Award

Dominion Sculptor for Canada, Government of Canada
Masonry – Heritage and Traditional, Class of 2004; Masonry Techniques, Class of 2003

John-Phillippe Smith’s journey to becoming a celebrated sculptor and artist is a remarkable reflection of his commitment to his craft and his community. Growing up in the Pontiac region of Quebec on a farm, Smith’s childhood was filled with the influences of his artistically-inclined parents. His mother was a teacher, and his father, a farmer, was also a talented artist.

“I grew up on a farm with my parents, brother and sister. My mom was a teacher, and my dad was a farmer, but they were both artists,” Smith recalls. “From a very young age, I remember drawing, carving, and helping my dad on the farm.”

Initially, Smith aspired to be an artist full-time but was also interested in architecture. However, the idea of being a “starving artist” was not appealing, so he decided to pursue a degree in physical geography at the University of Ottawa. During his studies, he worked at the Château Laurier, eventually spending eight years with Fairmont Hotels.

“I enjoyed my time at Fairmont, but as I moved up, I found myself in a cubicle, which wasn’t for me,” Smith explains. “I wanted to get back to working with my hands.”

This desire led him to explore trades, eventually discovering the Heritage Masonry program at Algonquin College. The program’s blend of traditional masonry and artistic stone carving resonated deeply with him.

“Visiting the campus and seeing the projects, especially the second-year students’ work, convinced me that this was what I wanted to do,” he says. “It brought together my childhood interests in art and architecture.”

At Algonquin College, Smith thrived, learning various aspects of masonry and conservation methods. The practical skills he acquired laid a strong foundation for his future career.

One highly-impactful moment in his career was his decision to apprentice in France through a Visa program, where he worked in the country’s top architectural sculpture studio. and honed his skills on historic buildings like Le Palais Royale and the Prefecture de Paris across from Notre-Dame Cathedral.

“My time in France was incredible, filled with non-stop learning and working on dream projects,” he reflects. “It was a turning point that shaped my approach to sculpture.”

Upon returning to Canada, Smith co-founded Smith &Barber, a high-end sculpture studio. His entrepreneurial spirit and commitment to his craft earned him recognition, leading to his appointment as the Dominion Sculptor of Canada in 2021.

As Dominion Sculptor, Smith focuses on diversifying his team and creating opportunities for collaboration with artists from various communities.

As Dominion Sculptor, he plays the dual role of carver and sculpture conservator. He is responsible for the preservation of 100 years’ worth of sculpture in Ottawa’s Parliamentary precinct and assessing and implementing repairs. He is also responsible for expanding that inventory, creating new pieces to mark national events and continually adding to the stone, wood and bronze décor.

Reflecting on his journey, Smith shares, “Every step, every carving, and every challenge has shaped who I am today. It’s not just about the art we create but the legacy we leave for future generations. If you follow your passion and remain dedicated, you can transform dreams into reality.”

Smith’s story is a powerful reminder that with perseverance and a commitment to one’s craft, it is possible to create art that transcends time and inspires future generations.